Imagine Charlie Chaplin dropped kicking and screaming into a 21st century version of Kafka, and you’re someway close to picturing the surreal spectacle that is Cow. Combining elements of antique vaudeville with cutting-edge technology, our hapless anti-hero and one man show Mark Deans is set loose in a world where nothing can be trusted, as objects bounce around powered by subsonic bass frequencies. A slapstick journey full of ingenious twists and turns, this non-text based performance was originally developed by Australian theatre company Back To Back as part of Dog Farm, three short pieces which examined the interconnecting relationships between art and pornography, sexuality and disability, and humanity and animals.